Articles, Historical Romance, Press This

Bridgerton’ Season 4: Plot, Cast & Everything To Know (Press This! Bustle)

Neverending Bridgerton news! If you haven’t heard the latest, reports are already on the Internet about Season 4. If you’ve missed the others, here’s the scoop on Seasons 2 and 3 as well.  They are currently filming Season 2, scheduled for release late this year on Netflix.  Follow the article to read more.

Season 2 will focus on Anthony, the eldest Bridgerton sibling, as he looks for a viscountess. Because this tracks with the trajectory of Julia Quinn’s novels, on which the show is based, we can safely guess that future seasons will each correspond to a different book. Season 3 will be Benedict’s story, and Season 4 will match up with Quinn’s Romancing Mister Bridgerton, which is all about Colin and Penelope.

Source: ‘Bridgerton’ Season 4: Plot, Cast & Everything To Know

Articles, Author News, Historical Romance, Industry News

RWA 2021 Vivian Finalists

The RITAs are no more. If you’re not familiar with the award it was formerly bestowed for excellence in published romance novels and novellas but was retired in 2020 after the Romance Writers of America meltdown. If you missed all the articles about the controversy at the RWA, you can search for prior posts. You can check out the past winners and hall of fame for those who won multiple RITAs at this LINK.

Now it’s the Vivian Award from the Romance Writers of America. “The Vivian recognizes excellence in romance writing and showcases author talent and creativity. We celebrate the power of the romance genre with its central message of hope–because happily ever afters are for everyone.” Vivian Stephens was the founder of Romance Writers of America.

Below are those books nominated for the historical romance category. Winners will be announced July 31, 2021.

Historical Romance – Long (80,000 Words or Longer)

The Clothier’s Daughter by Bronwyn Parry

His Secret Mistress by Cathy Maxwell

Once a Spy by Mary Jo Putney

Ten Things I Hate About the Duke by Loretta Chase

Historical Romance – Mid (50,000 to 80,000 Words)

For This Knight Only by Barbara Bettis

The Footman and I by Valerie Bowman

A Song of Secrets by Robyn Chalmers

A Study in Passion by Louisa Cornell

There is also a Historical Romance Short Category for books 20,000 to 50,000 in length, but there were no finalists.

Here are list of the 2021 Rules here FYI.

Articles, Book Review Blog, Historical Romance

SWEET SAVAGE FLAME – Bodice Rippers, Vintage Category, & Old-School Historical Romance from Avon to Zebra

Recommending this great blog, Sweet Savage Flame, filled with reviews of the bodice-ripper greats from the past.  Check it out!  I’ve posted a link on our blog page as well.

SWEET SAVAGE FLAME Bodice Rippers, Vintage Category, & Old-School Historical Romance from Avon to Zebra

Source: SWEET SAVAGE FLAME – Bodice Rippers, Vintage Category, & Old-School Historical Romance from Avon to Zebra

Articles, Historical Romance, Historical Romance Genre, Press This

Romance Novels are Big Business (Press This! The Washington Post)

In 1972, Avon Books published “The Flame and the Flower,” by Kathleen Woodiwiss — a hefty historical romance that traded chastity for steamy sex scenes. It arrived in the thick of the sexual revolution, and readers loved it: It was an instant bestseller that’s credited with birthing the modern romance genre.Here, a dozen people — authors, editors, agents, cover artists and one mononymous male model — recount how the modern romance industry came together and took off.

Source: Romance novels are big business. Here’s how the genre took off. – The Washington Post

Articles, Historical Romance, Press This

Bridgerton Season 3 and 4 Confirmed (Press This! Tatler)

Will Netflix stay close to the series of books for Season 3 and 4? Assuming they follow in order, then An Offer From a Gentleman and Romancing Mister Bridgerton should be in those seasons. Only time will tell. Will you watch? Of course, this will be years in the making probably through 2025 or later.  Julia Quinn must be extremely excited to be living an author’s dream.  Sending her kudos with a tinge of envy.

Fans of the smash hit have now been treated to yet more exciting news, with confirmation that the show has been commissioned for its third and fourth series.

Source: Bridgerton Season 3 and 4 confirmed plot cast release date | Tatler

Articles, Historical Romance, Press This

Netflix Reveals Four New Cast Members to Join Bridgerton for Season 1 (Press This! SHEmazing!)


Take note!  They are going beyond the boundaries of The Viscount Who Loved Me in the second season of Bridgerton on Netflix by deviating from the books with the introduction of new characters.

The last new cast member to be announced was Merlin star Rupert Young, who is taking on the role of Jack. Jack is the newest member of the ‘Ton with high connections and a bit of a mystery. As Jack is a brand new character created for the TV series, not based off anyone in the books, we don’t know much more about him just yet.

Source: Netflix reveals 4 new cast members to join Bridgerton for season two | SHEmazing!

Articles, Historical Romance

Blood, Sweat & Tears – What it’s like to write a book.

I write this post from the lens of an independently published author. However, I’m sure it resonates with those who are traditionally published as well. As an avid reader of historical romance, you are on the finished side of creative work. Have you ever considered what it is like to be the creator of that story you hold? Here are some brutally honest thoughts on what it’s like to write a book, and why it consists of a lot of blood, sweat, and tears.

The Blood – The life of a book is in the blood. Authors create characters out of thin air and give them life. They’ve chosen their names, where they live, their personalities, their backgrounds, and the paths they will walk to find love. When an author pours their soul into any creative work, they bleed. A part of them becomes imprinted on the page. Woven into the creation are their thoughts, struggles, and life experiences that are hidden between chapters and in the prose.

Once created, it’s released to the public. Authors tend to bleed when a reviewer writes a snide or hateful review. Whether the work is a Nobel Prize-worthy piece of literature or a run-of-the-mill self-published Kindle creation, authors are very attached to their stories regardless of the love and hate they may receive from readers. As a result, every book produces some drops of blood during and after the creative process. Even popular authors bleed. Here is a good quote:

“There is nothing to writing. All you do is sit down at a typewriter and bleed.”

Ernest Hemingway

The Sweat – It’s the hours writing. It’s the voices in an author’s head demanding to be heard. It’s the plotting. It’s the point of view. It’s the tense. It’s the overused words. It’s the dialogue. It’s the punctuation. It’s those grammar classes we never paid attention to in grade school coming back to bite us. It’s the hours of research, and finally, those damn typos that never seem to go away. Frankly, it’s hard work. You bleed and sweat, and your reward for the hours you took to create a story is a 35 cent royalty from a 99 cent priced book.

After a writer finishes writing and editing, there is plenty of work before release. It’s the formatting, the cover art, the copyright registration, the Library of Congress, the ISBN assignment, and working with distributors. After release, comes the expense and sweat of marketing. On top of that, you sweat worrying what people will think about it and hope you don’t have to bleed too much when the comments start rolling in. Writing a book can be stinky business as this author states:

“Sometimes the ideas just come to me. Other times I have to sweat and almost bleed to make ideas come. It’s a mysterious process, but I hope I never find out exactly how it works.”

J. K. Rowling

The Tears – Tears can arrive for many reasons when writing a book. They could be author tears of self-doubt. Authors are not all confident arrogant individuals. Remember this quote from the Oscars in 2014? No wonder we cry.

The mind of a writer can be a truly terrifying thing. Isolated, neurotic, caffeine-addled, crippled by procrastination, consumed by feelings of panic, self-loathing, and soul-crushing inadequacy. And that’s on a good day.”

Robert De Niro

The tears also arrive because authors are emotionally involved in their characters and story. Sometimes their character’s journey reminds them of their own hurt inside, and they cry while writing. At other moments, it raises empathy for the plight of others having to live the situations we create on paper. Emotional involvement in characters is an inevitable part of being an author. Without it, characters are dry and lifeless. Consider this quote:

“No tears in the writer, no tears in the reader.”

Robert Frost

Then there are tears of release when an author holds the printed book and flips through the pages. They feel a sense of pride and accomplishment in what they have created. Authors also cry when people trash their work, and shed tears of joy when people praise their stories.

Is the blood, sweat, and tears worth it all? Yes.

I first knew I wanted to write in grade school. It’s been ingrained in my brain, imprinted on my soul, and a driving force behind my fingers. It’s foolish for me to think that I’m terrific at my craft because I’m not. I’m an average Jane out in the world of thousands of books released each year. I’m continually learning how to write better. Sometimes I want to quit, but I’m afflicted, as this quote declares:

“I think all writing is a disease. You can’t stop it.”

William Carlos Williams

So the next time you pick up your Kindle or a paperback, remember you are not holding a new historical romance book — you are holding the blood, sweat, and tears of an individual who wrote the story.

In conclusion, I’ll leave you with one of my favorite quotes about writing as explained by Winston Churchill.

“Writing a book is an adventure. To begin with it is a toy then an amusement. Then it becomes a mistress, and then it becomes a master, and then it becomes a tyrant and, in the last stage, just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.”

Articles, Historical Romance, Press This

How Romance Novelist Beverly Jenkins Brings History To Life On The Page (Press This! Forbes)

Since the publication of her first romance novel, Night Song, in 1994, Beverly Jenkins has become one of the genre’s most prominent authors. The prolific Jenkins has primarily focused on historical romance starring Black characters, including her latest, Wild Rain, set in the Wyoming Territory.

Source: How Romance Novelist Beverly Jenkins Brings History To Life On The Page

Historical Romance, Press This

Lorraine Heath, Author of ‘Scoundrel of My Heart’ (Press This! The Nerd Daily)

Lorraine Heath begins an exciting new series with a breath-taking romance about a young woman who must marry a titled gentleman to obtain her inheritance and the unsuitable man she begins to fall madly in love with…

We had the pleasure of chatting with author Lorraine Heath about her new novel Scoundrel of My Heart, writing, book recommendations, and much more!

Source: Q&A: Lorraine Heath, Author of ‘Scoundrel of My Heart’ | The Nerd Daily

Articles, Book Covers, Historical Romance

Cover Trends

This morning while surfing Amazon to check out two new books that were recommended by BuzzFeed for Spring release (The Duke of Undone and To Love and to Loathe) the page loaded with more recommendations. Each of the covers displayed the new cartoon-type artwork that seems to be a new trend being pushed by traditional publishing companies. These came from St. Martin’s Griffin (Macmillan), Berkley (Penquin), Atria Books (Simon & Shuster), and Kensington Books. (Shame on Kensington, because they used to have some of the most beautiful artwork when it came to covers.)

Is it just me disappointed with this new push? What’s behind the change from the big houses? Is it to save money? Brand themselves apart from independent authors?

What are your thoughts? Chime in on the comments.

Yea?

Nay?

Okay?

Ugh? I think it’s obvious that I’m in the “ugh” category. Give me artwork and wonderfully design covers any day.

Articles, Historical Romance

‘Bridgerton’ Season 2: Release Date, First Look, and More Details (Press This! IndieWire)

Look at this smug eldest brother right here? As heavily foreshadowed in Season 1, the second season of “Bridgerton” will focus on the love story of Viscount Anthony Bridgerton, played by Jonathan Bailey. In the Instagram post announcing the second season, the omnipresent Lady Whistledown revealed that “Lord Anthony Bridgerton intends to dominate the social season.”

Source: ‘Bridgerton’ Season 2: Release Date, First Look, and More Details | IndieWire

Book Covers, Historical Romance, Press This

EXCLUSIVE FIRST LOOK: New Covers of the Bridgerton Novels Released (Press This! ABC News)

It appears Julia Quinn has new covers for her books. Curious where these photos were sourced? If you read my recent post, “Judging a Book by the Cover,” you’ll find these at Fine Art America. The is a particular photographer based in Manchester, UK by the name of Lee Avison. It’s worth checking out the site for his fabulous period images.

Following the success of the “Bridgerton” television series, the “Bridgerton” novels are getting a revamp.

William Marrow has revealed exclusively to “Good Morning America” that it is releasing new covers for each of Julia Quinn’s “Bridgerton” novels.

Source: EXCLUSIVE FIRST LOOK: New covers of the Bridgerton novels released – ABC News

Historical Romance, Press This

Fabio Romance Novel Covers: A Brief History By The Numbers (Press This! Book Riot)


The famous Fabio romance covers of the 1980s and ’90s were glorious, embarrassing, corny, sexy, or off putting, depending on whom you ask. Because of their prominence, Fabio is shorthand for a man with flowing locks, gripping a comely woman against his glossy, hairless chest in a pose known as a clinch.

While Fabio may be the joke romance played on itself, the joke is also on those who can’t get past him — they’re missing out on the fun.

Source: Fabio Romance Novel Covers: A Brief History By The Numbers

Historical Romance, Historical Romance Authors, Historical Romance Books, Historical Romance Readers

Heat Indexes in Historical Romance

The other day I picked up an older historical romance book by a well-known traditionally published author and started reading it. The book was published in 2015. When I got to page forty, the hero of the book unbuttoned his breeches and exposed himself to the heroine as a shock tactic. Frankly, she was a lot calmer than I was reading the passage, because I was horrified. I don’t consider myself a prude by any means, and have written my own fair share of steamy scenes when it comes to romance. Nevertheless, the act turned me cold as stone, and obviously, I didn’t finish the book. It’s something that I personally do not think belongs in a historical romance book. However, other readers were not as offended, by evidence of the five-star reviews.

I suppose readers of historical romance have all sorts of tolerance levels when it comes to sex scenes in a novel. You will notice that we try to indicate in our author promotions, how warm and cozy or steaming hot these scenes are by rating them as follows:

  • One – Kisses and hugs
  • Two – Passionate kissing
  • Three – Sex behind closed doors
  • Four – Steamy sex with a few descriptive words
  • Five – Sex with graphic description short of erotica

Level five, of course, is the over-the-top sex with graphic descriptions that are blazing hot, making the reader go wide-eyed, blush, and grab a fan. Some like it hot – others do not. It’s a matter of preference.

Posting these heat indexes hopefully help readers make decisions when purchasing a book. Unfortunately, we don’t get those insights on Amazon or other retailers what level of sexual activity is in the story we are about to read. Once in a while, you may see an author put a warning at the end of the synopsis if it’s close to erotica. You can usually tell, too, by comments in reviews if a reader thinks there is too much sex and not enough story.

Things have come a long way since the bodice-ripping days. The Flame and the Flower by Kathleen E. Woodiwiss has its fair share of shock in the beginning of the book with rape of a virgin and subsequent captivity. Twenty years ago when The Duke and I was written by Julia Quinn, I don’t think much was said about Daphne’s ploy of having sex with drunk Simon without his consent, which would be definitely coined as rape in the eyes of many today. You can see that complaint being raised in more recent reviews.

Many of us love Jane Austen, who wrote the beautiful love stories we admire. Naturally, she’s a great example of historical romance in the kisses and hugs rating. They are proof that wonderful romances can be written without graphic sex. They are more character driven stories than sexually driven.

In historical romance, intercourse can occur out of wedlock or after the wedding vows. Morals are not a central theme in most books unless it’s a religious-based historical romance. I’ve written books with no sex and plenty of sex — it just depends on the story, characters, and theme.

There is no right or wrong answer on how cozy or steamy historical romance books need to be, but there are definitely preferences among readers. Frankly, I don’t like books with rape scenes, aggressive men who take liberties without asking first, or shocking vulgarity like the first example I gave. However, for other readers, it may not be a problem. After all, in the early bodice-ripping days, historical romance had its share of rogues who seduced women. The proliferation of such tropes gave the genre its reputation. With the increasing awareness in the twenty-first century about the importance of consent, these scenes of forced seduction may not be acceptable to some readers. But let’s be honest here. To some women, it’s a turn-on. Each to their own.

Authors, however, are listening to the masses, or at least should be, on how to write a hot steamy sex scene that doesn’t cross boundaries. There is a great article on a website named Jezebel entitled, “The Romance Novelist’s Guide to Hot Consent.” It’s worth the read, especially for authors, and delves into how some of the bestselling authors approach this delicate subject when writing sex scenes. A few authors interviewed in the article are of the historical romance genre.

So, let’s be honest.

  • Some prefer cozy sweet hugs and kisses.
  • Some prefer hot and steamy love scenes with no questions asked.
  • Others require slow paced scenes that include vocal consent to remove bras and panties.

My parting thoughts are that I only wish that authors would be more proactive and add the heat level at the end of their synopsis of the book itself. It would help readers immensely in choosing the level of sexual content in a book they purchase. If it’s not listed in the “Sweet Romance Category,” it’s pretty hard to determine how hot it gets between the pages. You can sometimes make a determination based on the heat level of the cover, but that still doesn’t tell you how far the lovers will take it with or without consent between the sheets.

Do you have a preference? Feel free to chime in on the subject. You are always welcome to express opinions.

Articles, Historical Romance

Strike a Pose for Covers

Historical romance covers can be beautiful artwork. I’ve seen some that take my breath away. When you look at the older covers from the bodice-ripping days, there are three major poses that come to mind. These are still, for the most part, on our twenty-first-century historical romance book covers. If it’s not the poses of the hero and heroine together, it’s usually the flowing dress of a single female character. Nevertheless, have a bit of a chuckle with me as we look at these rather awkward positions.

The Back Strain

This pose has the male bending the lady backward. You have to admit the older covers usually have the man grabbing one leg at the same time. I can imagine an ensuing backache and sustained neck strain if a shirtless man bent me over backward, while I lifted my naked leg up against his side. You have to chuckle at some of the faces of these ladies who appear to be in pain as they turn away from the overpowering male. To add to the commonality of the pose, the wind is always blowing through the lady’s hair. Do these covers make you go ouch at the thought of the dominant male seducing you as your spine cracks? Has the pose diminished in current historical romance covers? Not really. Backs and necks are still out of line, however, it’s hard to find the consistent leg up these days.

The Behind Approach

Moving on from the back and neck strain pose comes the opposite with the hero seductively approaching the heroine from behind.  Not quite as popular as the frontal seduction, they still make up a large number of covers in the historical romance genre.

As you can see, the windstorm continues with flying female hair in a few of the scenes.  The male domination remains as the shirtless, seductive hero clutches their female prey from behind. The ladies turn their heads backward, getting a good look at their seducer. One cover I discovered looks like a gymnastics movement, as the hero raises her in the air while clutching her hips.

The Reclining Lovers

From the back and neck strain to the grasping male from behind, comes the ultimate place most heroes are hoping to place their heroines — on their back.

After searching through the covers of past and present, this pose seems to be the least used in the variety of physical positions.  Nonetheless, it serves to take the story to a satisfying conclusion, if you get my drift.  I’ve posted a few goodies from the past on my blog page.

As much as I love the genre, you still need a little humor to brighten the read. I guess you could say that these classic covers and current covers is what defines the genre and gives it the heat. Of course, not all historical romance covers are risque, as the more pure Jane Austen-type-Regencies have their fair share of fully dressed characters in upright positions on the book cover. In addition, the heat index of covers has toned down as well, because if it’s too hot, author advertisements on Facebook and other platforms get rejected.

What is your favorite pose? The back strain? The behind embrace, or the laying in the grass with your lover? If I had to choose one, I’d probably take the embrace from behind. I don’t want my neck to crack or ants crawling in my hair, no matter how hot the guy is on top.

Articles, Historical Romance, Press This

After Achieving Her PhD at 88, Ruth Wants a Jane Austen-led Reading Revolution (Press This! The Syndey Morning Hearld)

You are never too old to enjoy Jane Austen. This is a heartwarming article that at any age, Jane’s novels can be relevant and enjoyable.  Have you read one lately?

Mrs Wilson wants teachers to encourage their students to interpret authors such as Austen through the prism of their own experience, rather than focusing solely on the features of the text, or its cultural and political context.

Source: After achieving her PhD at 88, Ruth wants a Jane Austen-led reading revolution

Building Characters, Heroes, Heroines, Historical Romance, Reviews, Writing Historical Romance

The Perfect Heroine

In the past seven years, I have had the opportunity to craft multiple female characters.  Each woman is unique so her personality fits the theme of the story that I pen.

However, it’s been interesting to learn that crafting a female character who pleases the vast array of preferences that exist among readers, is a unique challenge. It’s safe to say that each one of my imaginary leading ladies has been a victim of harsh criticism, but a few have been lauded as brilliant. The ratings appear to hang upon whether the reader likes or dislikes the personality and actions of the heroine. Since historical romance books are inherently written for the fantasies of the female audience, it makes perfect sense that female readers can be harsh critics. As I have said before, writing romance can sometimes be a tough gig.

What I find utterly fascinating is female readers appear to be more critical of their heroines than heroes. The damaged or flawed temperament of a handsome man is easily forgiven, rather than the shortcomings of a woman. The heartless rake who seduces a virgin in a passionate love scene is given absolution. His less than honorable motives are overlooked as well as his reputation. As long as he’s portrayed handsomely on the cover in a kilt or frock coat and gives the heroine the love and happiness she deserves.

After all, ladies want to fall in love with the hero of the book for many reasons. We wouldn’t be reading historical romance if we didn’t feel there was a void to be filled in our fantasies. Books take us back to another time we blindly believe to be much better than the society of our day. However, if the heroine doesn’t fit our preconceived idea of what we envision ourselves to be in her shoes, there could be trouble brewing in the ratings.

Why are we so critical of heroines? What is it about women who are harsh on other women – even if it’s just a make-believe character with no flesh, bones, or soul?  Is it because women relate more closely with their gender than they do with men?  I think it boils down to what I believe I’m learning about this phenomenon – the men or heroes are fantasies in the mind of a female reader, while on the other hand heroines tend to be more personal as we walk that path of romance with them page by page vicariously.

Take Daphne, in the Duke and I.  Since Julia Quinn’s Bridgerton series has hit Netflix, I’ve read quite a few scathing remarks about her behavior after people have read the book.  Her actions in the controversial scene where she proceeds to have sex without Simon’s consent stirred the pot of disgust. Of course, let’s not forget Simon’s duplicity in the relationship. Are his actions less offensive? I am just throwing out food for thought and not making any judgments myself.

Any author, who has taken a course or read a book on character building, will tell you that it takes talent to craft a hero or heroine and bring them to life.  We’ve all read complaints about cardboard characters (no depth) or characters that are run-of-the-mill remakes with no individuality.  The law of character building includes the pros and cons of that imaginary person. Can an evil person experience a pang of guilt or a saint have a sinful thought? Of course, they can, because without dimension, they are not human. It’s the things we love and despise about people that make for good characters.  By the end of the story, the fictional individual should have grown in some way or changed for the better in spite of their flaws while conquering that obstacle that looms between them and their happy ending.  Let’s be honest – not every living being is perfect – so why do readers sometimes expect characters to be as well?

An interesting exercise is to stroll through one-star reviews on best-selling historical romance books, and you’ll get a feel for how readers really view the heroine.  It’s usually a love or hate relationship based on personal preferences when it comes to romantic encounters between the pages.

Here are some of the negatives that women do not like in their heroines:
  • Prickly women who come across as bitches.
  • Weak women who can’t stand up for themselves.
  • Disabled women who don’t match the standards of beauty or perfection.
  • Gullible women who swallow men’s lies and have no good sense.
  • Arrogant women who are snobs or selfish.
  • Unforgettable and uninteresting women with bland personalities.
  • Women with poor self-esteem.

I am sure the list could be expanded, but those complaints are the most obvious.

Frankly, I think it is impossible to please every reader all of the time when it comes to historical romance. Each reader, like each character, is unique in what they are looking for in a story. They have their perfect hero and heroine already in mind, and it’s the journey that the two must traverse to find an everlasting love that is the entertainment readers seek. I would only caution that sometimes a character can possess negative characteristics early in the story, but the author has plans to mellow them out or heal their flaws. Unfortunately, tales that instantly irritate are often discarded before the best is yet to come.

So is there a perfect heroine?  I sincerely doubt it.  There are too many tastes and expectations for characters to be acceptable by all readers. 

Now as far as heroes?  Well, that’s an entirely different topic I tackled in another post.
Historical Romance, Historical Romance Authors, Historical Romance Books, Historical Romance Genre

The Historical Romance Genre

A genre is a category of artistic composition such as writing. Historical romance is a popular genre that has been the mainstream of romance novels for many years. It’s a broad category of fiction set in various centuries, which was first popularized as early as the nineteenth century by Walter Scott who wrote such books as Ivanhoe.

The genre’s popularity started with a flame, which over the years flickered into near obscurity. Articles were being published asking if the genre was dying a slow death, when it once dominated the market. Recently, interest in the genre has been refueled because of Julia Quinn’s Bridgerton Series on Netfix. I’m happy to report its given the genre a resurgence of popularity, although not as many bodices are being ripped as in the past.

In today’s modern era of writing, historical romance can be categorized from the ancient world up to 1950 (per Romance Writers of America). A few of the favorite time periods on bookshelves are:

  • Medieval Period
  • Viking Age
  • 17th Century, including:
    • Scottish Highlands
    • England
    • Europe
  • American Eras, including:
    • Colonial America
    • Civil War
    • Westerns
  • Georgian Era
  • Regency Era
  • Victorian England
  • Early 20th Century up to WW2, including:
    • Edwardian Era
    • Roaring Twenties
    • 1930s and 1940s forties.

During the 1970s, the genre took off and was affectionately known as the “bodice ripper” years, which led to mass-market paperbacks.

Kathleen Woodwiss’s historical romance, The Flame and the Flower, published in 1972, literally set the genre on fire, followed by steamy romance covers of domineering men and women melting at their touch. Today The Flame and the Flower might raise eyebrows with readers because there are scenes of non-consensual sex and captivity. It was the time of book covers displaying scantly dressed Fabio, along with women in dresses that fell off their shoulders. The covers were an art form from mainstream publishers. Today those covers would throw you into what’s called the “erotica dungeon” on Amazon and make advertising on Facebook impossible because of guideline violations.

Since that time, the genre has remained relatively the same until recently. The onset of the me-too movement has begun to change some weak-willed, easily seduced female characters into spunky and spirited ladies. In addition, the publishing world has called for more diversity in authors and stories, which is long overdue. Readers do not seem to mind these changes even though there may be a deviation from the norm of the time period.

There are many well-known traditionally published authors in the twenty-first-century, such as Mary Jo Putney, Lisa Kleypas, Eloisa James, Elizabeth Hoyt, Sabrina Jeffries, Tessa Dare, and Julia Quinn, just to name a handful. In addition, there are quite a few independently published authors in the genre who are making a name for themselves on the Amazon best-selling charts.

Historical romance immerses readers into different centuries. They are a great way to learn and enjoy history, especially if it was not your favorite subject in school. I like to think it is a welcome change from contemporary romance and problems that we deal with day-to-day. It gives us an opportunity to live vicariously in other time periods, with different values, ways of courtship, and lifestyle.

Yes, authors do romanticize centuries that were fraught with their own challenges. Nevertheless, a knight in shining armor, a Scottish highlander, or a duke to sweep us off our feet and make ravishing love to us might be just what you need to get your mind off twenty-first-century challenges and recent woes.

Enjoy your next historical romance novel! Take your choice of a brawny Viking, kilted Highlander, English aristocrat, a handsome military man, or a cowboy on the wild west plains of America. It’s a world of romance, waiting just for you.